Writing life
March 16, 2008 | Uncategorized
For the past few days, I’ve been in this weird writing spot. The vision of the current story has shifted and wavered until I’m no longer sure where it’s going.
Personally, I love structure and word goals and regular daily writing from point A to point B all the way to the end. I’ve accepted the need for revising and polishing. However, in a perfect world I’d find the ideal words the first time through. Never happens. And, for me, trying to make it happen produces nothing but blank pages and lots of teeth gnashing.
The dismal desire for perfection is not the current problem. The current problem is the better plan syndrome. When I began the manuscript was a novella length erotic romance with a small suspense element. The little mystery’s only purpose was to underscore the lovers’ journey. As the story progressed, complications, which would strengthen the tale, began to niggle at me.
Forward progress ground to a half and I puttered about fretting for a day or two, tending to real life and thinking. Finally, I sat down and wrote a new synopsis, including the villain. At this point, I was halfway to accepting the story was going to be at least twice as long as initially planned and will require total re-plotting and fairly major revision of the first draft–which wasn’t even complete. Then further complications wriggled into my consciousness, whispering of how much better this could be…
I should never shortcut the plotting process. Always giving the story development phase its full measure of time, including letting the plan rest for at least a few days before eyeing it coldly. And certainly before investing any time in the actually writing.
When I first started writing it never occurred to me that the stories would need revision. I wrote happily from the opening hook to the mutual commitment with never a critical glance at the words on the screen. I miss that blissful ignorance. But knowledge, once acquired, can not be discarded. Awareness of story telling conventions, genre requirements, and a couple of thousand other details seeped into my mind. All of the lessons, to date, required multiple passes and a discouraging amount of pain.
One of the most important rules was the only one I knew from the start–finish every project. This was the motivation behind the new rule about never rushing the plotting stage. I have a bunch of projects in various stages of completion. All of them need to be finished. Starting with the one currently open.





When both Hunter and Tru bond with Amber their mating triangle threatens everything they hold dear.
Determined to help rescue the princess, Cassandra agrees to act as the dragons’ sex slave, but can she guard her heart from the dominant males?
Camille, a plump, sweet-natured breeder, is caught in New Eden’s endless war with Baldor. Her mates, Jaxon and Aegis, need cunning and courage to rescue her. They need a miracle to capture her heart.
Werewolf-whisper Daniel is the only one who can heal Scarlet’s broken werewolf connection. If he succeeds then the pack’s needs will eclipse his claim on her heart. But if he fails, they'll both die.
A Scarlet Past, the story of Scarlet's parents is available on Amazon or Barnes and Noble for just 99 cents!
A lonely woman finds passion with a dominant much younger lover, when she tries to leave she learns her new master plays for keeps.
The Enyo Chronicles includes both Dalia's Choice and Joon's Tempation.
Three different stories, three dangerous men, and three women who deserve them.
One dangerous warrior woman plus two rogue demon males equals a love to threaten an empire.
Getting paid to watch Eduardo is Desiree’s dream assignment, but when he reaches out to her, crossing the line, everything changes.
Deep in her secret heart, she lusts for a sexy pirate who’d be her master and commander in the bedroom. But, this man may be too dangerous
One woman, two men, three wounded hearts--though already mated their love is still forbidden.
A reluctant reporter and a lone wolf undercover cop work to catch an extortionist, finding love requires the most dangerous risk of all.
Street-smart cop plays princess to catch deadly terrorists. Now,the only man she trusts is the one she can't resist.
What Sam doesn’t know may kill him--the love of his life is his worst nightmare--his enemy’s daughter.r.

